I was looking at some of my farm and barn images of the Northwest and was enjoying the beauty of our rural landscape. Even though in these images you see the beauty of a farming life, you don't see the work farmers do in working and preparing the land just to supply us with quality food we all enjoy. You don't see the harsh weather conditions, the 24/7 work and pressure there is in making sure the fields are ready before the planting season is upon them. The reason I bring this up is that I was up in Skagit County yesterday and was shooting the Snow Geese that migrate up to Canada and was chilled to the bone. And yet in this cold, wind chilled environment farmers were still at work fixing trackers and making sure their farm animals were fed and safe. Much appreciation for all people that work this beautiful land we call America.
Sunday, February 27, 2011
Hard Work
I was looking at some of my farm and barn images of the Northwest and was enjoying the beauty of our rural landscape. Even though in these images you see the beauty of a farming life, you don't see the work farmers do in working and preparing the land just to supply us with quality food we all enjoy. You don't see the harsh weather conditions, the 24/7 work and pressure there is in making sure the fields are ready before the planting season is upon them. The reason I bring this up is that I was up in Skagit County yesterday and was shooting the Snow Geese that migrate up to Canada and was chilled to the bone. And yet in this cold, wind chilled environment farmers were still at work fixing trackers and making sure their farm animals were fed and safe. Much appreciation for all people that work this beautiful land we call America.
Friday, February 11, 2011
Capturing an Emotion
If you can objectively sense an images importance to you and compose it and light it with purpose (serendipity plays an important part) that expresses and emotion we all share (you might not be aware of the emotion that attracted to the subject in the first place) then you have created a good image.
Sunday, February 6, 2011
Valentines Day
I had my wife bake up some cupcakes and I decided to do a Valentine theme image. If I was more on the ball I would have done this in the summer so the image would already be at some of my agencies as Valentines Day approaches. But sometimes you don't think ahead. Or for me most of the time.
Sunday, January 30, 2011
Obsolescence
City Images
Sense of Wonder
Sunday, January 16, 2011
Anticipation
Shooting digital takes some of the old anticipation away from the end results of your photographic efforts. It becomes to me a work flow instead of a revelation of purpose. There was always that anxiety (in a good way) of going to the lab and picking up your film and then laying it on the lightbox to see if you captured your inner landscape on the film. Now you pretty much know what you got. You can make composition adjustments, exposure corrections etc.. right there on the spot by looking at your monitor. The problem with this is that there is a break in the relationship your building with your subject. Looking at the monitor becomes the extension of your workflow instead of concentrating on your scene that is before you. If you look to often then you have missed the purpose I feel of making your unique images. Your images need to reflect your own style and you can't be observing your subject finding that angle, light and composition that expresses your subject if you constantly look at the monitor. I look at the monitor to see if I am in the ballpark and then concentrate on the subject reading the light and bracketing accordingly. Yes there are times when that draw to look at the monitor is very strong and I succumb to its power.
Friday, December 31, 2010
Shooting Digital vs Analog Film
This sunrise image of Seattle is an example of beginning to shoot earlier than I would have with Analog film.
Sunday, November 21, 2010
Holiday Images
This was a commercial turkey farm in Oregon and I photographed it while working for GTE's Community Books project. Next lets get into Christmas.
The night before a big snow fall was to hit Washington State, I set up a small tree with lights and ran an extension cord out and away from the tree toward an outlet at the side of the house. The snow covered everything real well. This year I plan a variation on this shot. We will see.
Sunday, October 10, 2010
Bellevue Botanical Gardens
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| Fern Close-up Bellevue Botanical Garden |
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| Female Humming Bird |
Sunday, August 22, 2010
Decisions Decisions
Monday, December 7, 2009
Digital Age of Photography

I have been shooting digital for awhile and like the ability to see my images instantaneously and the ability to take these images and upload and get the images to my Agencies and to my website quickly. I won't harp on this all the time but since I am new to digital I don't like all the workflow that gets between you and shooting. What I find is that you shoot pretty much the same as you did with your film base camera but the workflow after shooting is so time consuming and daunting sometimes that it drains your motivation to keep shooting. As I get my workflow down in Lightroom I will be able to process my images faster and upload them quicker and then have the ability to shoot more.
I also don't like the digital images when I am shooting sunsets. The detail and color in the highlights seem to blow out and the color shifts in these digital files as opposed to shooting film. I have to spend alot of time adjusting the image in Lightroom to get it right.
Tuesday, November 10, 2009
Pricing Stock Images

As the lines between amateur and Professional blend together in Stock Photography it becomes obvious that pricing for images will also blend together on a downward spiral. There are just to many quality images being produced and buyers, clients and businesses are now having such a wider choice for their image sources that all price points from exclusive RM to micro RF will go down even more. In retail if you have similar products and sell to the same customer base how do you gain market share. Well, you can give the client better customer service and try and distinguish your brand from the other competition through edgy advertising and directly attracting the age group you want. You can locate your store in a great traffic location with plenty of parking and so on. Or you could reduce your prices and compete on volume. The lowering of prices will work for awhile but eventually you will want to raise your prices because as with any product you sell, costs do go up. But if you try and raise your prices before the other guy then you could lose market share to your competition and again be stuck having to lower your prices again and again a race to the bottom. Timing is everything.
With photos it is the same but different. The internet is a perfect vehicle for buying photos especially when the photos can be bought through a streamlined credit card process. No overhead or negotiations just upload and sit back and see the money come in. It is a little harder than that, you still have to be found (SEO Search Engine Optimization) and you still have to price your images so you and your family can survive. But on the internet how do you compete with other photographers who are willing to shoot and sell their photos for less. Well you can't give your images away for free to gain market share (even though some portals are now doing that to to try and hook clients and sell them up to a paying customer status, good luck with that). So how do you compete with the tsunami of cheap imagery out on the web and still make a living wage? How do you maintain a pricing model that gives you a decent return on your shooting investment? Lowering prices will not work because the return on your shooting investment would be disastrous. Prices are already rock bottom low and they could still go lower as the microsites begin to max out their contributors wallets by trying different schemes (subscription) in order to maintain volume and profit for themselves. Photographer's still have to set up and expend some cash to produce images and in this economic meltdown everybody is trying to survive by working at a job that least pays the rent. Micro shooters are feeling the pain as well right now. What they also are finding out on these micro sites is that the professional Studio Production Companies are beginning to shoot 1,000's of images a month for these microsites and take the little market share these micro shooters had and making their return microscopic.
What all the Distribution portals (Getty, Corbis, istockphoto etc...) are hoping for is volume over pricing. They want to move into the consumer buying market and be the broker that gets a % of each deal that is transacted on their site. But this time they want to move into the arena of lets say a Flickr type distribution portal with billions and billions of imagery where the potential is there for alot of volume to make up for the pennies on the dollar transactions. Where does this leave the photographer trying to make a living at this photography business, out in the cold. There is no way for an Independent Rights Managed Photographer to make a living wage under this system. Volume over Price doesn't work for the Independents. Look at Wall-Mart. Cheap prices for similar products destroys the Mom and Pop stores in the big box community.
So I asked the question above how does a photographer make a living in this environment of volume over decent prices? They can't. Period.



























