July 21, 2013

I like to make photo lists and cut tear sheets from magazines and list potential concept shots that I want to work on.  This list expresses for me a certain amount of interest in these subjects.  I have a curiosity to explore their potential.

When we go out to shoot, (even if we have a tight list of potential subjects) we are always looking for serendipity to play a roll in our ability to create a better image.   

When we get to our location we find many things that will interfere with our image making goals.  The terrain is not what we expected, it is the wrong time of year, the light is too contrasty for your image goal, it is stormy, time of day is wrong, you're thinking to much about an argument you had with your companion, your interest is waning etc...

This invariable leads to a doubt of your subject choice.  We are always thinking of someplace with better opportunities.  Our time is precious and we can't just sit and wait.  This is not the nature of man.  We are impatient to the detriment of our ability to create great images. Our minds want it all and we don't want to work hard to get it. So we start to doubt our location and the image goals we set for ourselves.  Maybe we should move to a new, better location and see how the light is there and not have to waste time in this location where nothing is working for me to get a great image.

But if we wait and look at the scene before us and are patient, the subject will reveal worthy images to us.

The real issue is light and subject.  We all wish for better imagery.  What makes better images is dramatic light, dramatic subject and composition and the relationship the viewer has with those choices you made to create that image.

But how realistic is it to have every element line up so that all you have to do is step out of your car, set up your tripod, click the shutter and then move on because you have captured that perfect dramatic image.  Or better yet, why even get out of the car, set your ISO at 400 and shoot the scene while keeping a consistent speed of 60mph. 

What stops you from experiencing the true revelations of this world? 

Over thinking can be a barrier.  It becomes a process of abstraction leaving you unprepared to experience the here and now, the deep beauty that lies in front of your eyes just within your grasp, if only you would open those eyes and see, really see what is in front of you.  

Any layers you put between you and your subject can dull your perceptions. Doubting yourself and your image intention is one of those barriers.

These layers can hamper your ability to see old as new again. You are blinded by image stereotypes and mundane self observations to see your surroundings you walk by every day as subjects worthy to photograph.  Get out of your box and notice and see the new subjects (that were always present) of beauty that abound right in front of you. 

Once you have opened your eyes to a new world of wonder and possibilities it is time to express your new found observational skills.

Any place you choose to shoot from has the potential for great imagery.  It is letting go of your inner barriers and just open your eyes. Take in the light, its quality, direction, its motifs.  

What is illuminating this scene that has finally caught your attention? Now that you see it, will you be able to make an image worthy of your seeing.  Can you make a transition of seeing the subject in only one way to seeing your subject in many different lighting situations.  Maybe this overcast light is good for less contrast, maybe this harsh sunlight is telling me to wait for sunrise or sunset light, maybe using a different lens and getting low to the ground will bring the viewer suddenly into your new perspective and a connection will be made.

Take in the light and the paradox of timing and being there. 

How many times have photographers found the perfect spot to shoot their subject from only to have the light fizzle and their patience tested.  And how often is the opposite true, you are in a bad lighting situation but you have had the patience to wait , knowing that if the light breaks through you will have a dramatic image and suddenly the light comes and this beautiful light hits your subject and all is good and your rewarded with great images.

Trust your instincts.